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DC 8000 Series

Society Bands, Novelty, Pop, Black Pop, Hillbilly & Old Timey, Gospel

1947- 1950

by Jay Bruder

 

 

 

    The DC 8000 series was the main run for Davis-Claiborne Records in the late 1940s. It began in 1947 with novelty and society band recordings, but by the fall of 1947 Mrs. Claiborne had redirected the label towards country and gospel. Country records by Sleepy McDaniel and his Radio Playboys from WFMD in Frederick, Maryland were prototypical bluegrass thanks in large part to the fiddling of Buck Ryan. She pushed her gospel group, the Progressive Four, a descendent of the group which recorded for Columbia in Atlanta in April1930, towards pop material which they performed in a vocal jive style reminiscent of groups of the late 1930s and early 1940s. Some of the members of the Progressive Four were reportedly not happy with the group performing pop material. This lead to a series of name changes and to the eventual split of the group with their young lead singer, Harmon Bethea, soon joining with another secular vocal group called the Buddies to form the Cap-Tans while the Progressive Four continued to work under that name and under the name of the Corinthian Singers. Sales of these records were very local until late 1948 when Mrs. Claiborne finally had a regional hit with the songs Jesus Gave Me Water and Thank God Amen performed by Mae Gooch and her Gospel Stars who were from Detroit, Michigan. The 8000 series began to wind down in late 1949 as Mrs. Claiborne placed her artists with larger labels such as Gotham, Savoy, Mercury, and Dot.

 

       There are plenty of discographic mysteries remaining with this series. Early releases had separate catalog numbers assigned to each side of a disc. Many early number pairs have not been identified as neither records nor printed citations have been found to identify the contents.. Between 8032 and 8035 the numbering scheme was switched to the more contemporary practice of assigning a single catalog number to each disc and master or matrix numbers to each side. Even after the switch over there are still more gaps in the number sequence. The series becomes erratic after 8059.  It is not know whether these missing numbers were ever used. We do know that some matrix numbers were used more than once which is an indicator of poor organization.   

 

                

DC 8010/8011

Milt Davis                                            Feb 1947

Amour Coquet

There Is Time                             © Lillian Claiborne 2 March 1945

(Lillian Claiborne)                       © Gordon Kauffam and Reel 16 Feb 1946                      

      “the record changer” magazine Feb. 1947 p.15

      Untraced.

  

DC 8012/8013                                          22 Feb 1947

Ralph Cannon – Ann Hayden

The Happy Little Puppy

The Wicked Little Cricket

      Billboard 22 Feb 1947, p. 38. Ad. 1425 Van Buren St Washington 12, DC

      Billboard  5 Apr 1947, p. 123. Review.

      Untraced.

  

DC 8014/8015                                          1 Mar 1947

Bill McCune Orchestra, Bette Buckner

Managua, Nicaragua                  8014

Mama Ain't Home Tonight             8015

      Billboard 1 Mar 1947, p. 32 Ad.    

Billboard 8 Mar 1947, p. 28 Advance Info.

Billboard 5 Apr 1947, p. 30 Review.

      Untraced.

Managua Nicaragua listed in Billboard "Honor Roll of Hits" 15 Mar 1947 p. 22.  Primary versions Kay Kyser, Guy Lombardo, Freddy Martin, Two-Ton Baker, Jose Curbelo Orch, and Julie Conway & The Chickering Four on Signature.

 

DC 8016/8017                                          8 Mar 1947

Bill McCune Orchestra, Bette Buckner

Moment Of Madness

Mama Ain't Home Tonight

      Billboard 1 Mar 1947 p. 32 Ad.

Billboard 8 Mar 1947, p. 28 Advance Info.

Billboard 5 Apr 1947, p.30 Review.

Billboard 24 May 1947, Review p. 124.

Untraced.

 

DC 8018/8019                                          c. Mar 1947

Bill McCune and his Orchestra, with Vocal by Bette Buckner

The Wicked Little Cricket                        A (8018-A)

    (Gordon-Kaufman-Pollock)

I Wuv A Wabbit                                   B (8019-B)

    (Berle-Drake-Martel)

      Billboard 1 Mar 1947 p. 32 Ad.

Billboard 8 Mar 1947, Advance Info. P. 28.

a. Silver on flat blue. Label Style I Confirmed 78 rpm copy.

      b. Silver on flat blue. Label Style II confirmed 78 rpm copy.

c. Blue on silver. Label style II confirmed 78 rpm copy.

Same stampers used on all pressings.

      I Wuv A Wabbit by 2 TON BAKER on Mercury was advertised

      in THE CASH BOX magazine on 14 MAY 1949.  Also “I Wuv A Wabbitt” Al Trace and His Silly Symphonists (Vocals Trace and Wexler) Coronet 153B and Regent BR-8 (exact release date not available).

 

DC 8020 (8021 Not Listed in source document)          19 Jul 1947

Bill Dillard With the Jack Pleis Trio

Ain't It Aggravatin'

Baby Won't You Please Come Home

      DC Records flyer, Billboard review 19 Jul 1947, p. 35. Courtesy: Peter Gibbon.

      Untraced

 

DC 8022/8023                                          June 1947

Larry Laurence With The Quintones and the Jack Pleis Trio

There Is Time                             (DC 8022)

(Claiborne)                               © Lillian Claiborne 2 March 1945

 Lolita Lopez                             (DC 8023)

 (Gamse-Olvirades)                  © Gordon Kauffam and Reel16Feb 1946                               

      Daniels dated 6/47.

      Billboard review 5 Jul 1947, p. 131.

a. Silver on blue. Confirmed 78 rpm copy.

 

DC 8024/8025                                           25 Oct 1947

Sleepy McDaniel and his RADIO PLAYBOYS, Vocal Buster Puffenbarger

The Sheik Of Araby               (DC-8024)

(Smith-Wheeler-Snyder)

Sleepy McDaniel and his RADIO PLAYBOYS, Vocal Bunkhouse Trio

Baby Doll                        (DC-8025)

(Spencer)

      Billboard Advance Releases, 25 October 1947, p. 31 Peter Gibbon.

      Billboard review 15 Nov 1947, p. 112. Al Turner.

a. Silver on blue.  Confirmed 78 rpm copy.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8024 and 8025.

 

DC 8026/8027                                          25 Oct 1947

Sleepy McDaniel and his RADIO PLAYBOYS, Vocal Bunkhouse Trio

Cool Water  Vocal             (DC 8026 and DC-8026)                 

    (Nolan)

Sleepy McDaniel and his RADIO PLAYBOYS, Fiddle Solo Buck Ryan

Orange Blossom Special         (DC 8027 and DC-8027)

      (Rouse)

      Billboard review 15 Nov 1947, p. 112. Al Turner.

a. Silver on blue, 78 rpm copy confirmed. Peter Gibbon reference to-Billboard 471025 see Folk. This is apparently the intended original release of this coupling.  See pressing variant below.

      b. Silver on Blue, Confirmed 78 rpm copy.  Alternate version of “Cool Water” with 8027-R in the dead wax.  This is a shorter version with different lyrics. Assumed to be a repressing.

           DC-8027 R (sic) and DC-8027 listed as being turned over to Savoy in Gotham correspondence.

 

DC 8028/8029                                          25 Oct 1947

Sleepy McDaniel and his RADIO PLAYBOYS, Fiddle Solo Buck Ryan

Listen To The Mockingbird                 (DC 8028)

Sleepy McDaniel and his RADIO PLAYBOYS, Vocal by The Valley Sweethearts

Have I Told You Lately That I Love You    (DC 8024 (sic) DC 8029)

    (Wiseman)

      Daniels dtd 11/47.

Peter Gibbon-Billboard 25 Oct 1947 see Folk. (Not found)

Billboard review 15 Nov 1947, p. 112.  Reference Al Turner.

      a. Silver on blue. Confirmed 78 rpm copy.

DC-8028 listed as being turned over to Savoy in Gotham correspondence.

 

DC 8030/8031                                          20 Dec 1947

Bob Berry With Ziggy Travers Trio

That's The Least You Can Do               (DC 8030)                     

    (Howard Marks)

Born To Love You                               (DC 8031)                         

    (Davis-Farnsworth)                           

Listed on DC Records flyer. Billboard Review 20 Dec 1947 p.104. Peter Gibbon-Billboard 471213 see Pop (not found). 

a. Silver on blue, Copy Confirmed 78.

     

 

DC 8032

      Untraced.

 

DC 8033/8034

      Dead wax matrix numbers 8033 and 8034 are used on release number 8035.

 

DC 8035                                               28 Feb 1948

Ziggy Travers Trio: Ziggy Travers, Piano; J. Roudeski,

Guitar; E. Mortimer, Bass

Perdido                                                8035A (DC 8034)

    (Tizol-Drake-Lenk)          

Bob Berry with Ziggy Travers Trio

Are You Sorry                                     8035B (DC 8033)

    (Howard Marks) 

      Billboard 28 Feb 1948, p. 35. Advance Information. Billboard review

6 Mar 1948, p. 31.            

a. Blue on silver, Confirmed 78 rpm copy.

    Ray Anthony’s "PERDIDO" on Capitol 292 was released in September 1946.

 

DC 8036                                               20 Dec 1947

The Progressive Four

Saint Louis Blues                                8036A

      (W. C. Handy)

I Want A Little Girl                            8036B

      (Durham)

Listed in blue on yellow DC Records flyer. Billboard Advance Information, 20 Dec 1947, pp. 32-3. Billboard review 27 Dec 1947 p. 30 Courtesy Peter Gibbon. Previously released by Jim Wynn and His Bobalibians as the flip of “EE-BOBALIBA” on 4 Star 1026 in November 1945, vocal by Luther Luper, Jr.

a. Blue on Silver.  Confirmed 78 rpm copy. 

 

DC 8037                                               13 Dec 1947

The Progressive Four

Don't Leave Now                                   8037A

Darling Nellie Gray                               8037B

Listed in blue on yellow DC Records flyer. Billboard Advance Information 13 Dec 1947 p 32. Billboard review 20 Dec 1947 p. 31. Courtesy Peter Gibbon. Ad Billboard 24 Jan 1948 courtesy Dan Kochakian

    a. Silver on dark blue, Copy Confirmed 78 rpm. 

    b. Dark Blue on silver. Probably reissue. Copy Confirmed 78 rpm. 

    c. Dark Blue on Silver.  Reissued as "THE BILLBOARDERS"

       (Formerly THE PROGRESSIVE FOUR). Confirmed 78 rpm.

    d. A variation of this coupling has been reported by Marv Goldberg on Paragon label as by

        the Paratones. Not confirmed.

 

DC 8038                                               13 Dec 1947

The Progressive Four

I Cried Holy                                           8038-A

You Can Run On                                    8038-B

Billboard Advance Information Pop 13 Dec 1947 p. 32. Billboard Pop review 27 Dec 1947 p. 30. Courtesy Peter Gibbon. States charted in Billboard. Listed in blue on yellow DC Records flyer.

      a. DC 8038 Untraced.

b. Savoy 4001. Confirmed 78 rpm copy. DC-8038 A&B listed as being turned over to Savoy in undated Gotham correspondence.

 

DC 8039

Sleepy McDaniel And His Radio Playboys, Vocal Dapper Dan

I Love Her Just The Same                  A

Sleepy McDaniel And His Radio Playboys, Featuring Sparky Henderson

-Steel Guitar

Roadside Rag                                    B

a. Original release.  Confirmed 78 rpm copy. "Roadside Rag" reissued on Krazy Kat KK835.

b. Issued with alternate flip side "Back Up And Push." Details by Al Turner. Could be a typo from authorization below.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8039 A&B.

 

DC 8040                                               28 Feb 1948

Sleepy McDaniel And His Radio Playboys, Vocal Sleepy McDaniel

Sad Sack                                          A (8040 A)

    (Burns)

Sleepy McDaniel And His Radio Playboys, Vocal Trio:

Dapper Dan, Sleepy McDaniel, Sparky Henderson.

He's Gone, He's Gone Up The Trail  B (8041 B)

    (Spencer)

      Billboard review 6 Mar 1948, p. 31. Billboard Review

28 Feb 1948. Al Turner. Billboard Ad 27 Mar 1948 p.38.

      a. Blue on Silver. Confirmed 78 rpm copy.

      b. Reissued as Paragon 8040 from DC stampers. Confirmed 78         

      rpm  copies.

      DC-8059 A&B listed as being turned over to Savoy in Gotham correspondence.

 

DC 8041

      DC-8041A listed as being turned over to Savoy in Gotham correspondence.

 

DC 8042                                               Jan 1948

The Progressive Four

Old Time Religion                                 (8042 A)

I Ain't Ready To Die                            (8042 B)

      Listed on DC Records blue on yellow flyer.  Billboard 17 Jan 1948 p.33 Advance Information. Ad Billboard 24 Jan 1948 courtesy Dan Kochakian

a. Dark Blue on Silver. Confirmed 78 rpm copy.  

b. Savoy 4006. DC-8042 A&B listed as being turned over to Savoy in undated Gotham correspondence.

 

DC 8043 Spiritual Series

The Progressive Four Hartwell Mouton-Lindsay Wilson-Oliver Armstead-

Harmon Bethea-Wilburt Griffin

I WANT TO DIE EASY                              8043A

(Spiritual)

I'M TIRED                                                   8043B

(Spiritual)

a. Silver on Maroon or Dark Red. eBay sale August 2011.

b. Dark Blue on Pale Yellow. Confirmed 78 rpm copy.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8043 B.  

 

 

DC 8044                                               17 Jan 1948

Three B's And A Honey: Yvonne DuBarry With; Bobby Smith,

Piano; Bert Hall, Bass; Bill Forrester, Guitar.

I Love You Yes I Do                                              8044 A

    (Nix-Glover)                

I Don't Stand A Ghost Of A Chance With You        8044 B

    (Crosby-Washington-Young)

      Billboard Advance Information, 17 Jan 1948, p.33.   

a. Dark Blue on Silver, Copy Confirmed 78 rpm courtesy of Kathy Yelton, Western High School, Washington, DC class of '49.

"I LOVE YOU, YES I DO" was recorded by Bullmoose Jackson in August 1947 while "I DON'T STAND A GHOST OF A CHANCE" was recorded by Billie Holliday for Clef 369. Possible tie into “Du Barry Was A Lady” a 1943 Gene Kelley, Lucille Ball, Red Skelton movie musical.

 

DC 8045

Three B's And A Honey: Yvonne Du Barry with; Bobby Smith,

Piano; Bert Hall, Bass; Bill Forrester, Guitar.

Hit That Jive Jack                                                    8045 A

      (Tolbert-Alston)

I Don't Stand A Ghost Of A Chance With You        8045 B

      (Crosby-Washington-Young)   

a. Silver on maroon. Confirmed 78 rpm copy.

 

DC 8046

      Untraced

 

DC 8047                                               28 Feb 1948

Jerry Strong With The Progressive Four

My Mother’s Eyes                                                  8047A

(Gilbert-Baer)

Basin Street Blues                                                   8047B

(Williams)

      Billboard review 28 Feb 1948, p. 34

      a. DC pressing not traced.

      b. Paragon 8047 Gold on Dark Blue. Confirmed 78 rpm copy.

Aug 1954 The King Odum Quartette released a version of “Basin Street Blues” on Perspective  PR-5—1.  Arrangement is close to the Progressive Four arrangement less Jerry Strong. The “Billboard Encyclopedia of Music 1946-1947, p.130 lists Jerry Strong as host of “Wake Up With WINX” a sustaining radio show on WINX-AM. Long-time Washington radio and TV personality Ed Walker kindly commented: “I remember that record by Jerry Strong . . . Jerry use to play it on his program. . . Jerry left WINX and went with WMAL in the 1950s. He did a show there with his wife Gemma. . . I don't believe the record with Jerry and the Progressive 4 ever made it outside of Washington.”

 

DC 8048                                               8 May 1948

The Progressive Four, (Guitar) Thomas Singletary

Yes                                                              8048A

(Claiborne-Davis)

Satchel Mouth Baby                                    8048B

(Williams)

Peter Gibbon-see Billboard 480508.

a. Silver on Dark Blue, Confirmed 78 rpm copy.

 

DC 8049 Vocal                                               1948

Bob Dean And His Southern Serenaders

I'm Shedding Tears Over You                           8049 A

    (Joe Drew)

Bob Dean And His Southern Serenaders, Vocal Hink and Bob Dean

The Maple On The Hill                                     8049 B

    (David-Hancock)  

      a. Silver on Dark Blue. Confirmed 78 rpm copy.

      b. Paragon pressing with same DC stampers. Confirmed 78 rpm copy.

 

DC 8050 Religious                                           1948

Bill Dillard vocal refrain with The Progressive Four

Remember Me, Psalm XXIII                              8050A

Bread Of Heaven, Psalm I                                  8050B

Hayes & Laughton dated to mid-1948.

a. Silver on Maroon.  Confirmed 78 rpm copy.

      b. Blue on Yellow.  Billed as only Progressive Four.  Title truncated to:

   “PSALM I” AND “PSALM XXIII” 78 rpm copy.

DC-8050 A&B listed as being turned over to Savoy in Gotham correspondence.

 

 

DC 8051

Sleepy McDaniel And His Radio Playboys

Leather Britches

Unknown Title

      Reference from Al Turner.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8051.

"Leather Britches" appears in Adelaide S. Van Wey and Donald Lee Moore Folk Songs of North Carolina November28, 1946 (Copyright Office) (From Dick Spottswood: Leather Breeches is the old Scots/Irish “Lord McDonald's Reel.”  Michael Coleman's 1927 Columbia recording is exemplary. D. L. Moore was a folklorist not to be confused with Lee "The Coffee Drinking Nighthawk" Moore from WWVA.)

 

DC 8052 Spiritual Series                                    June 1948

The Progressive Four: Hartwell Mouton - Oliver Armstead - Harmon Bethea - Lindsay Wilson - Wilburt Griffin

Ring Those Golden Bells                               8052A

Vale Of Time                                               8052B

Daniels dtd 48/06.

a. Silver on maroon.  Confirmed 78 rpm copy.

b. Dark Blue on yellow. Confirmed 78rpm copy. From Frank Ruehl.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8052 A.

Notably of the four songs the Progressive Four recorded for Columbia Records in Atlanta,

Georgia on Tuesday April 22nd, 1930 none were recorded by DC Records in the 1948 and 1949 sessions. Presumably they had all been discarded from the repertoire as the group evolved over the intervening 18 years. However, "Ding Dong Bells" (14601-D) is thematically related to "When They Ring Those Golden Bells" and the group approaches this new title with the same straightforward interpretation as they displayed in their 1930's work. "When They Ring Them Golden Bells" was more prominently recorded by the Golden Gate Jubilee Quartet in New York City on 10 August1938 for Bluebird 7897 and by the Southern Sons for Bluebird 34-0734, Fall 1945. Several other vocal groups and single artists recorded variations on this title.

 

DC 8053

Bob Dean and His Hi-Way Wanderers Bob Dean guitar Hank Dean Fiddle, Leon Baxter steel guitar.

I'LL TAKE HER FROM THE VALLEY    2:58 A(8053-A)

BACK TO OLD SMOKEY MOUNTAIN      2:55 B(8053-B)

a. DC pressing of 8053 untraced.

      b. The stampers 8053-A and 8053-B were used for DC 4101.

 

DC 8054                                               Jun 1948

The Cap-Tans, Whistler Paul Chapman             Novelty Vocal

Coo-Coo-Jug Jug (That’s The Song Of The Birds)  A (8054 A)

(Pleis-Kane)

Vocal, Paul Chapman with the THE CAP-TANS       Vocal

You'll Always Be My Sweetheart                             B (8054 B)

(Murray Singer)

a.  Silver on Dark

Maroon.Billboard review “Popular” 7 Aug 1948 p. 31 from Pete  Grendysa. Gonzales

dated 6/48. Coincident with Super Disc titles being reissued on M-G-M such as Viola  

Watkins “I Wonder Why” b/w “Now I Know” M-G-M 10232. Ironically this review was

placed just above a Jimmie and Ruth Dodd title on Castle.  Jimmie would go on to record a

prizewinning DC city song in the mid 1950’s before becoming a Mouseketeer leader for the

original Mickey Mouse Club.

 

DC 8055

      Untraced.

 

DC 8056 SPIRITUAL SERIES                              April 1949

The Gospel Stars with Mae Gooch

Jesus Gave Me Water                               8056A

(Lucy Campbell)

Do Not Pass Me By                                 8056B

(Spiritual)

Daniels dtd 07/48, but Billboard Ad for Gotham Dist 16 April 1949 p. 53 courtesy Dan Kochakian. "Do Not Pass Me By" Advertised by Pearls Record

Bar, Norfolk Journal and Guide on November 5, 1949 and December 31, 1949. Also appears on an undated listing of Gotham products.

a. Black on shiny yellow.  DC pressing.  Confirmed 78 rpm copy.

            b. Blue on shiny yellow. DC Pressing. Confirmed 78rpm copy.

c. Black on shiny yellow."Mfd. For DC Records By Ballen Co. Phila Pa."     

   Uses “DC” stamper. Confirmed 78 rpm copy.

Although Lucy (sic) Campbell is listed on the label of both the DC and Gotham press of Jesus Gave Me Water there is a card in the Copyright office dated  29 Aug 1950 listing Mae Gooch as the arranger and © to Claiborne-Davis Music (LoC EU213724)  Lucie Edith Campbell's self copyright for words and music listed almost three months later on 24 November 1950. It was published by Campbell & Williams 388 South Orleans Street, Memphis 5, Tennessee. (LoC M2199.C) “Do Not Pass Me By” a song of the same title words and music by Charels H. Gabriel 15 Feb 1919. Published by the Rodeheaver Co. 29 Mr 1946.)

 

DC 8057 Spiritual Series                                    6 Nov 1948

The Progressive Four: Hartwell Mouton - Oliver Armstead -

Harmon Bethea - Lindsay Wilson - Wilburt Griffin

There'll Be A Great Day                               8056AB DC8056 B (sic)

Farther Along                                              8057B

    with WILLIAM D'ALBERT Organist

Billboard Review “Religious” 6 Nov 1948 p.142.

a. Blue on yellow.  Copy confirmed.

b. Blue on yellow.  Billed as "THE CORINTHIAN SINGERS".

    Copy confirmed.

c. Black on Yellow.   Billed as "THE CORINTHIAN SINGERS" and

    "Mfd. For DC Records By Ballen Co. Phila. Pa."

    Copy confirmed.

An advertisement which ran in the December 18th, 1948 edition of The Cash Box, a weekly record and vending machine trade magazine, mentions DC 8057 by the Corinthian Singers as "just released and selling very big." A Billboard review, and a catalog of Gotham products reinforces that attribution. Yet, copies of the coupling attributed to The Progressive Four do exist and are assumed to be first pressings as they do not bear the legend "Mfd. For DC Records By Ballen Co. Phila, Pa." which occurs on the c. label variant. This all seems to have been Mrs. Claiborne's attempt to mollify members of the Progressive Four who were reportedly unhappy doing pop material. The name switch appears to have been short lived and ended after the release of 8059, 8061, and 8062 (which are not yet confirmed). Savoy sales sheets for their reissues of 8059, 8038, and 8042 in the new 4000 series attribute all of the records to The Progressive Four. Note the confused A-side master number assignment which has been verified on the a., b., and c. variants.

DC 8058 Spiritual Series                                    April 1949

The Gospel Stars with Mae Gooch                      

In That Beautiful Land                                     8058a PO

      (No title card in 1946-54 Copyright Catalog)

Don't Worry About Me                                  8058B PO 3

      (Raymond Kennedy)             ©18 Oct 1947 Renee Mae Kaufman           

Daniels dtd 04/49. Billboard Ad for Gotham Distribution April 16, 1949 p. 53 courtesy

Dan Kochakian. In catalog of Gotham products.

a. Black on Yellow DC pressing confirmed Confirmed 78 rpm copy.

b. Black on Yellow. “Mfd. For DC Records By Ballen Co. Phila Pa."

Alternate copyright for “Don’t Worry About Me” ©12 May 1947, A. Thompson (words),

 Robert L. Carleton (music) ©Addie Thompson; Lenoir City, TN.

     

DC 8059 Spiritual Series                              October 1940

The Gospel Stars Mae Gooch, Louis Russell, James Gooch,

Arthurine Strothers, Leroy Waldo -Piano)

Thank God, Amen                                   8059 A

(Gooch)                    Spiritual. Notice for sheet music 1949 M2199.G

                                    ©5 Sep 1955 Andrea Music, Philadelphia

The Gospel Stars Mae Gooch and Leroy Waldo, Fannie Tappin-Piano

Jesus Is Listening                                       8059 B

(Gooch)                    Spiritual. No title card in Copyright catalog.

     Daniels dtd 10/49.

a. DC pressing not confirmed. Peter Gibbon lists B title as "(Get In Union) Jesus is Listening."

b. Black on yellow. "Mfd. For DC Records By Ballen Record Co. Phila. Pa."

The September 1955 copyright for “Thank God” implies another record release

(newly recorded or the original recording re-released)  at that time.

     

DC 8059 alt

Corinthian Singers

I Got A Home

Rocks and The Mountains

      a. DC 8059 copy not verified. Hayes and Laughton Gospel Records.

      b. Savoy 4000 copy not verified. Hayes and Laughton Gospel Records.

      DC-8059 A&B listed as being turned over to Savoy in Gotham correspondence and

      attributed  to The Progressive Four in a Savoy listing for their 4000 gospel series.

 

DC 8060

      Artist and titles unknown.

Both DC 4102 and DC 8070 have dead wax matrix numbers of 8060 A/B.

 

DC 8061

Corinthian Singers

Little Old Bible Of Mine

Listen To The Lambs

    Listed in Gotham Distribution Catalog. Also Hayes & Laughton.

    Listed in Billboard magazine of  20 November 1948 page 99 as an advance record release and  

    advertised in Billboard magazine of 12/18/48 on page 40 -Alex Podlecki .

    Not confirmed.

 

DC 8062

Corinthian Singers

I Want To Rest

One Day

      Hayes & Laughton. Not confirmed.

DC-8062 A listed as turned over to Savoy in undated Gotham correspondence.

2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8062 A&B.

 

 

DC 8063

      Untraced.

 

DC 8064                                                               Late 1949

The Cap-Tans

Goodnight Mother                                                 A Side Dead Wax DC-8064-B (sic)

      (Murry-Leveen-Berch)

Let's Put Our Cards On The Table                         B Side Dead Wax 1204

      (Patrick-Reese-Singer)

a. Black on Yellow “Mfd. For DC Records By Ballen Co. Phila Pa.confirmed 78 rpm copy.

b. 45 rpm reproduction.  Black on Yellow. Taken from Ballen Pressing of 78 rpm single. 

 

In a 1997 interview Harmon Bethea identified the lead voice as Sherman "Buck" Buckner. Harmon is the second voice heard on "Goodnight Mother."

 

This record has not been found listed in Billboard, but it probably dates from late 1949 or early 1950.The only known 78 pressing of this record is a Ballen pressing. The A side has DC-8064B on the label and in the dead wax. Likewise the B side has 1204 on the label and in the dead wax. The 1200 series was a short lived pop series on DC. It is possible that there was a "DC" pressing of this record, made before the Ballen pressing, with a different coupling, but it has not been traced.

 

The "Berch" credited on "Goodnight Mother" may be pianist and DJ for WMAL, Jack Berch.  The "Singer" credited on "Let's Put Our Cards on the Table" may be the Murry Singer who was credited on DC 8054.

 

On 2 March 1950 Ballen authorization to lease 8064A. Title given was "I Want To Rest" which may be a mistake or may reflect the original DC coupling. No copies listing "Paul Chapman and the Cap-Tans" billing have been confirmed.

 

DC 8065

       Untraced.

 

DC 8066

       Untraced.

 

DC 8067

       Untraced.

 

DC 8068

      Untraced.

 

DC 8069

Mae Gooch (sic)

Go Ahead                       No title card in Copyright Catalog                                                    

Dark Calvary                  No title card in Copyright Catalog                                                    

    Blues Unlimited No. 61, April 1969, p.20 and Hays and Laughton p.482.

 

DC 8070 SPIRITUAL

The Gospel Stars

No Place To Lay His Head                        8070A (8060A (sic))

    (Gooch)                   No title card in Copyright Catalog                                                    

The Gospel Stars featuring Mae Gooch, Lois Russell, fanny

Tappin-piano

Shady Green Pastures                            8070 B (8060B (sic))

    (Gooch)                   No title card in Copyright Catalog                                                     

    a. Black on yellow. "Mfd. For DC Records By Ballen Record Co. Phila Pa." Confirmed 78 rpm copy. 

 

 

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