a. Bl
DC 8000 Series
Society Bands, Novelty,
Pop, Black Pop, Hillbilly & Old Timey, Gospel
1947- 1950
by Jay Bruder
The DC 8000 series was the main run for Davis-Claiborne Records in the late
1940s. It began in 1947 with novelty and society band recordings, but by the
fall of 1947 Mrs. Claiborne had redirected the label towards country and gospel.
Country records by Sleepy McDaniel and his Radio Playboys from WFMD in
Frederick, Maryland were prototypical bluegrass thanks in large part to the
fiddling of Buck Ryan. She pushed her gospel group, the Progressive Four, a
descendent of the group which recorded for Columbia in Atlanta in April1930,
towards pop material which they performed in a vocal
jive style reminiscent of groups of the late 1930s and early 1940s. Some of the
members of the Progressive Four were reportedly not happy with the group
performing pop material. This lead to a series of name changes and to the
eventual split of the group with their young lead singer, Harmon Bethea, soon
joining with another secular vocal group called the Buddies to form the Cap-Tans
while the Progressive Four continued to work under that name and under the name of the
Corinthian Singers. Sales of these records were very local until late 1948 when Mrs. Claiborne finally
had a regional hit with the songs Jesus Gave Me Water and Thank God Amen performed by Mae
Gooch and her Gospel Stars who were from Detroit, Michigan. The 8000 series
began to wind down in late 1949 as Mrs. Claiborne placed her artists with larger labels
such as Gotham, Savoy, Mercury, and Dot.
There are plenty of discographic mysteries remaining with this series. Early
releases had separate catalog numbers assigned to each side of a disc. Many
early number pairs have not been identified as neither records nor printed
citations have been found to identify the contents..
Between 8032 and 8035 the numbering scheme was switched to the more contemporary
practice of assigning a single catalog number to each
disc and master or matrix numbers to each side. Even after the switch over there are still
more gaps in the number sequence. The series becomes erratic after 8059. It is
not know whether these missing numbers were ever used. We do know that some
matrix numbers were used more than once which is an indicator of poor
organization.
DC 8010/8011
Milt
Davis Feb 1947
Amour Coquet
There Is
Time © Lillian Claiborne 2 March 1945
(Lillian
Claiborne) © Gordon Kauffam and Reel 16 Feb 1946
“the
record changer” magazine Feb. 1947 p.15
Untraced.
DC
8012/8013 22 Feb 1947
Ralph Cannon –
Ann Hayden
The Happy Little
Puppy
The Wicked
Little Cricket
Billboard
22 Feb 1947, p. 38. Ad. 1425 Van Buren St Washington 12, DC
Billboard
5 Apr 1947, p. 123. Review.
Untraced.
DC
8014/8015 1 Mar 1947
Bill McCune
Orchestra, Bette Buckner
Managua,
Nicaragua 8014
Mama Ain't Home
Tonight 8015
Billboard 1 Mar 1947, p. 32 Ad.
Billboard 8 Mar 1947, p. 28 Advance Info.
Billboard 5 Apr 1947, p. 30 Review.
Untraced.
Managua Nicaragua listed in Billboard "Honor Roll of Hits" 15 Mar 1947 p. 22.
Primary versions Kay Kyser, Guy Lombardo, Freddy Martin, Two-Ton Baker, Jose
Curbelo Orch, and Julie Conway & The Chickering Four on Signature.
DC 8016/8017
8 Mar 1947
Bill McCune
Orchestra, Bette Buckner
Moment Of
Madness
Mama Ain't Home
Tonight
Billboard
1 Mar 1947 p. 32 Ad.
Billboard 8 Mar 1947, p. 28 Advance Info.
Billboard 5 Apr 1947, p.30 Review.
Billboard 24 May 1947, Review p. 124.
Untraced.
DC
8018/8019 c. Mar 1947
Bill McCune and
his Orchestra, with Vocal by Bette Buckner
The Wicked
Little Cricket A (8018-A)
(Gordon-Kaufman-Pollock)
I Wuv A Wabbit
B (8019-B)
(Berle-Drake-Martel)
Billboard 1 Mar 1947 p. 32 Ad.
Billboard 8 Mar 1947, Advance Info. P. 28.
a. Silver on flat blue. Label Style I Confirmed 78 rpm copy.
b. Silver on flat blue. Label Style II confirmed 78 rpm copy.
c. Blue on silver. Label style II confirmed 78 rpm copy.
Same stampers used on all pressings.
I Wuv A Wabbit by 2 TON BAKER on Mercury was advertised
in THE CASH BOX magazine on 14 MAY 1949. Also “I Wuv A Wabbitt” Al Trace
and His Silly Symphonists (Vocals Trace and Wexler) Coronet 153B and Regent BR-8
(exact release date not available).
DC 8020
(8021 Not Listed in source document) 19 Jul 1947
Bill Dillard
With the Jack Pleis Trio
Ain't It
Aggravatin'
Baby Won't You
Please Come Home
DC Records flyer, Billboard review 19 Jul 1947, p. 35. Courtesy: Peter Gibbon.
Untraced
DC 8022/8023
June 1947
Larry Laurence
With The Quintones and the Jack Pleis Trio
There Is
Time (DC 8022)
(Claiborne)
© Lillian Claiborne 2 March 1945
Lolita
Lopez
(DC 8023)
(Gamse-Olvirades) © Gordon Kauffam and Reel16Feb
1946
Daniels
dated 6/47.
Billboard
review 5 Jul 1947, p. 131.
a. Silver on blue. Confirmed 78 rpm copy.
DC 8024/8025
25 Oct 1947
Sleepy McDaniel
and his RADIO PLAYBOYS, Vocal Buster Puffenbarger
The Sheik Of
Araby (DC-8024)
(Smith-Wheeler-Snyder)
Sleepy McDaniel
and his RADIO PLAYBOYS, Vocal Bunkhouse Trio
Baby
Doll (DC-8025)
(Spencer)
Billboard
Advance Releases, 25 October 1947, p. 31 Peter Gibbon.
Billboard
review 15 Nov 1947, p. 112. Al Turner.
a. Silver on blue. Confirmed 78 rpm copy.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8024 and 8025.
DC 8026/8027
25 Oct 1947
Sleepy McDaniel
and his RADIO PLAYBOYS, Vocal Bunkhouse Trio
Cool Water
Vocal (DC 8026 and DC-8026)
(Nolan)
Sleepy McDaniel
and his RADIO PLAYBOYS, Fiddle Solo Buck Ryan
Orange Blossom
Special (DC 8027 and DC-8027)
(Rouse)
Billboard
review 15 Nov 1947, p. 112. Al Turner.
a. Silver on blue, 78 rpm copy confirmed. Peter Gibbon reference
to-Billboard 471025 see Folk. This is apparently the intended original release
of this coupling. See pressing variant below.
b. Silver on Blue, Confirmed 78 rpm copy. Alternate version of
“Cool Water” with 8027-R in the dead wax. This is a shorter version with
different lyrics. Assumed to be a repressing.
DC-8027 R (sic) and DC-8027 listed as being turned over to Savoy in Gotham
correspondence.
DC 8028/8029
25 Oct 1947
Sleepy McDaniel
and his RADIO PLAYBOYS, Fiddle Solo Buck Ryan
Listen To The
Mockingbird (DC 8028)
Sleepy McDaniel
and his RADIO PLAYBOYS, Vocal by The Valley Sweethearts
Have I Told You
Lately That I Love You (DC 8024 (sic) DC 8029)
(Wiseman)
Daniels
dtd 11/47.
Peter Gibbon-Billboard 25 Oct 1947 see Folk. (Not found)
Billboard review 15 Nov 1947, p. 112. Reference Al Turner.
a.
Silver on blue. Confirmed 78 rpm copy.
DC-8028 listed as being turned over to Savoy in Gotham correspondence.
DC 8030/8031
20 Dec 1947
Bob Berry With
Ziggy Travers Trio
That's The Least
You Can Do (DC 8030)
(Howard
Marks)
Born To Love
You (DC
8031)
(Davis-Farnsworth)
Listed on DC Records flyer. Billboard Review 20 Dec 1947 p.104. Peter
Gibbon-Billboard 471213 see Pop (not found).
a. Silver on blue, Copy Confirmed 78.
DC 8032
Untraced.
DC 8033/8034
Dead wax
matrix numbers 8033 and 8034 are used on release number 8035.
DC
8035 28 Feb 1948
Ziggy Travers
Trio: Ziggy Travers, Piano; J. Roudeski,
Guitar; E.
Mortimer, Bass
Perdido
8035A (DC 8034)
(Tizol-Drake-Lenk)
Bob Berry with
Ziggy Travers Trio
Are You
Sorry 8035B (DC 8033)
(Howard
Marks)
Billboard
28 Feb 1948, p. 35. Advance Information. Billboard review
6 Mar 1948, p. 31.
a. Blue on silver, Confirmed 78 rpm copy.
Ray
Anthony’s "PERDIDO" on Capitol 292 was released in September 1946.
DC
8036 20 Dec 1947
The Progressive
Four
Saint Louis
Blues 8036A
(W. C.
Handy)
I Want A Little
Girl 8036B
(Durham)
Listed in blue on yellow DC Records flyer. Billboard Advance Information, 20 Dec
1947, pp. 32-3. Billboard review 27 Dec 1947 p. 30 Courtesy Peter Gibbon.
Previously released by Jim Wynn and His Bobalibians as the flip of “EE-BOBALIBA”
on 4 Star 1026 in November 1945, vocal by Luther Luper, Jr.
a. Blue on Silver. Confirmed 78 rpm copy.
DC 8037
13 Dec 1947
The Progressive
Four
Don't Leave
Now 8037A
Darling Nellie
Gray 8037B
Listed in blue on yellow DC Records flyer. Billboard Advance Information 13 Dec
1947 p 32. Billboard review 20 Dec 1947 p. 31. Courtesy Peter Gibbon. Ad
Billboard 24 Jan 1948 courtesy Dan Kochakian
a.
Silver on dark blue, Copy Confirmed 78 rpm.
b.
Dark Blue on silver. Probably reissue. Copy Confirmed 78 rpm.
c.
Dark Blue on Silver. Reissued as "THE BILLBOARDERS"
(Formerly
THE PROGRESSIVE FOUR). Confirmed 78 rpm.
d. A
variation of this coupling has been reported by Marv Goldberg on Paragon label
as by
the Paratones. Not confirmed.
DC 8038
13 Dec 1947
The Progressive
Four
I Cried
Holy 8038-A
You Can Run
On 8038-B
Billboard Advance Information Pop 13 Dec 1947 p. 32. Billboard Pop review 27 Dec
1947 p. 30. Courtesy Peter Gibbon. States charted in Billboard. Listed in blue
on yellow DC Records flyer.
a.
DC 8038 Untraced.
b. Savoy 4001. Confirmed 78 rpm copy. DC-8038 A&B listed as being turned
over to Savoy in undated Gotham correspondence.
DC 8039
Sleepy McDaniel
And His Radio Playboys, Vocal Dapper Dan
I Love Her Just
The Same A
Sleepy McDaniel
And His Radio Playboys, Featuring Sparky Henderson
-Steel Guitar
Roadside
Rag B
a. Original release. Confirmed 78 rpm copy. "Roadside Rag" reissued on
Krazy Kat KK835.
b. Issued with alternate flip side "Back Up And Push." Details by Al
Turner. Could be a typo from authorization below.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8039 A&B.
DC 8040
28 Feb 1948
Sleepy McDaniel
And His Radio Playboys, Vocal Sleepy McDaniel
Sad
Sack
A (8040 A)
(Burns)
Sleepy McDaniel
And His Radio Playboys, Vocal Trio:
Dapper Dan,
Sleepy McDaniel, Sparky Henderson.
He's Gone, He's
Gone Up The Trail B (8041 B)
(Spencer)
Billboard
review 6 Mar 1948, p. 31. Billboard Review
28 Feb 1948. Al Turner. Billboard Ad 27 Mar 1948 p.38.
a.
Blue on Silver. Confirmed 78 rpm copy.
b. Reissued as Paragon 8040 from DC stampers. Confirmed 78
rpm copies.
DC-8059
A&B listed as being turned over to Savoy in Gotham correspondence.
DC 8041
DC-8041A
listed as being turned over to Savoy in Gotham correspondence.
DC 8042
Jan 1948
The Progressive
Four
Old Time
Religion (8042 A)
I Ain't Ready To
Die (8042 B)
Listed on DC Records blue on yellow flyer. Billboard 17 Jan 1948 p.33
Advance Information. Ad Billboard 24 Jan 1948 courtesy Dan Kochakian
a. Dark Blue on Silver. Confirmed 78 rpm copy.
b. Savoy 4006. DC-8042 A&B listed as being turned over to Savoy in
undated Gotham correspondence.
DC 8043
Spiritual Series
The Progressive
Four Hartwell Mouton-Lindsay Wilson-Oliver Armstead-
Harmon
Bethea-Wilburt Griffin
I WANT TO DIE
EASY 8043A
(Spiritual)
I'M
TIRED
8043B
(Spiritual)
a. Silver on Maroon or Dark Red. eBay sale August 2011.
b. Dark Blue on Pale Yellow. Confirmed 78 rpm copy.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8043 B.
DC 8044
17 Jan 1948
Three B's And A
Honey: Yvonne DuBarry With; Bobby Smith,
Piano; Bert
Hall, Bass; Bill Forrester, Guitar.
I Love You Yes I
Do
8044 A
(Nix-Glover)
I Don't Stand A
Ghost Of A Chance With You 8044 B
(Crosby-Washington-Young)
Billboard
Advance Information, 17 Jan 1948, p.33.
a. Dark Blue on Silver, Copy Confirmed 78 rpm courtesy of Kathy Yelton,
Western High School, Washington, DC class of '49.
"I LOVE YOU, YES I DO" was recorded by Bullmoose Jackson in August 1947 while "I
DON'T STAND A GHOST OF A CHANCE" was recorded by Billie Holliday for Clef 369.
Possible tie into “Du Barry Was A Lady” a 1943 Gene Kelley, Lucille Ball, Red
Skelton movie musical.
DC 8045
Three B's And A
Honey: Yvonne Du Barry with; Bobby Smith,
Piano; Bert
Hall, Bass; Bill Forrester, Guitar.
Hit That Jive
Jack
8045 A
(Tolbert-Alston)
I Don't Stand A
Ghost Of A Chance With You 8045 B
(Crosby-Washington-Young)
a. Silver on maroon. Confirmed 78 rpm copy.
DC 8046
Untraced
DC 8047
28 Feb 1948
Jerry Strong
With The Progressive Four
My Mother’s
Eyes
8047A
(Gilbert-Baer)
Basin Street
Blues
8047B
(Williams)
Billboard
review 28 Feb 1948, p. 34
a.
DC pressing not traced.
b.
Paragon 8047 Gold on Dark Blue. Confirmed 78 rpm copy.
Aug 1954 The
King Odum Quartette released a version of “Basin Street Blues” on Perspective
PR-5—1. Arrangement is close to the Progressive Four arrangement less Jerry
Strong. The “Billboard Encyclopedia of Music 1946-1947, p.130 lists Jerry Strong
as host of “Wake Up With WINX” a sustaining radio show on WINX-AM. Long-time
Washington radio and TV personality Ed Walker kindly commented: “I remember that
record by Jerry Strong . . . Jerry use to play it on his program. . . Jerry left
WINX and went with WMAL in the 1950s. He did a show there with his wife Gemma. .
. I don't believe the record with Jerry and the Progressive 4 ever made it
outside of Washington.”
DC 8048
8 May 1948
The Progressive
Four, (Guitar) Thomas Singletary
Yes
8048A
(Claiborne-Davis)
Satchel Mouth
Baby 8048B
(Williams)
Peter Gibbon-see Billboard 480508.
a. Silver on Dark Blue, Confirmed 78 rpm copy.
DC 8049
Vocal 1948
Bob Dean And His
Southern Serenaders
I'm Shedding
Tears Over You 8049 A
(Joe Drew)
Bob Dean And His
Southern Serenaders, Vocal Hink and Bob Dean
The Maple On The
Hill 8049 B
(David-Hancock)
a.
Silver on Dark Blue. Confirmed 78 rpm copy.
b.
Paragon pressing with same DC stampers. Confirmed 78 rpm copy.
DC 8050
Religious 1948
Bill Dillard
vocal refrain with The Progressive Four
Remember Me,
Psalm XXIII 8050A
Bread Of Heaven,
Psalm I 8050B
Hayes & Laughton dated to mid-1948.
a. Silver on Maroon. Confirmed 78 rpm copy.
b.
Blue on Yellow. Billed as only Progressive Four. Title truncated to:
“PSALM I” AND “PSALM XXIII” 78 rpm copy.
DC-8050 A&B listed as being turned over to Savoy in Gotham correspondence.
DC 8051
Sleepy McDaniel
And His Radio Playboys
Leather Britches
Unknown Title
Reference
from Al Turner.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8051.
"Leather Britches" appears in
Adelaide S. Van Wey and Donald Lee Moore Folk Songs of North Carolina
November28, 1946 (Copyright Office) (From Dick Spottswood: Leather Breeches is
the old Scots/Irish “Lord McDonald's Reel.” Michael Coleman's 1927 Columbia
recording is exemplary. D. L. Moore was a folklorist not to be confused with Lee
"The Coffee Drinking Nighthawk" Moore from WWVA.)
DC 8052
Spiritual Series June 1948
The Progressive
Four: Hartwell Mouton - Oliver Armstead - Harmon Bethea - Lindsay Wilson -
Wilburt Griffin
Ring Those
Golden Bells 8052A
Vale Of
Time 8052B
Daniels dtd 48/06.
a. Silver on maroon. Confirmed 78 rpm copy.
b. Dark Blue on yellow. Confirmed 78rpm copy. From Frank Ruehl.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8052 A.
Notably of the four songs the Progressive Four recorded for Columbia Records in
Atlanta,
Georgia on Tuesday April 22nd, 1930 none were recorded by DC Records in the 1948
and 1949 sessions. Presumably they had all been discarded from the repertoire as
the group evolved over the intervening 18 years. However, "Ding Dong Bells"
(14601-D) is thematically related to "When They Ring Those Golden Bells" and the
group approaches this new title with the same straightforward interpretation as they
displayed in their 1930's work.
"When They Ring Them Golden Bells" was more prominently recorded by the Golden Gate
Jubilee Quartet in New York City on 10 August1938
for Bluebird 7897 and by the Southern Sons for Bluebird 34-0734, Fall 1945.
Several other vocal groups and single artists recorded variations on this title.
DC 8053
Bob Dean and His
Hi-Way Wanderers Bob Dean guitar Hank Dean Fiddle, Leon Baxter steel guitar.
I'LL TAKE HER
FROM THE VALLEY 2:58 A(8053-A)
BACK TO OLD
SMOKEY MOUNTAIN 2:55 B(8053-B)
a. DC pressing of 8053 untraced.
b.
The stampers 8053-A and 8053-B were used for DC 4101.
DC 8054
Jun 1948
The Cap-Tans,
Whistler Paul Chapman Novelty Vocal
Coo-Coo-Jug Jug
(That’s The Song Of The Birds) A (8054 A)
(Pleis-Kane)
Vocal, Paul
Chapman with the THE CAP-TANS Vocal
You'll Always Be
My Sweetheart
B (8054 B)
(Murray Singer)
a. Silver on
Dark
Maroon.Billboard review “Popular” 7 Aug 1948 p. 31 from Pete Grendysa.
Gonzales
dated 6/48. Coincident with Super Disc titles being reissued on M-G-M such as
Viola
Watkins “I Wonder Why” b/w “Now I Know” M-G-M 10232. Ironically this review was
placed just above a Jimmie and Ruth Dodd title on Castle. Jimmie would go on to
record a
prizewinning DC city song in the mid 1950’s before becoming a Mouseketeer leader
for the
original Mickey Mouse Club.
DC 8055
Untraced.
DC 8056
SPIRITUAL SERIES April 1949
The Gospel Stars
with Mae Gooch
Jesus Gave Me
Water 8056A
(Lucy Campbell)
Do Not Pass Me
By 8056B
(Spiritual)
Daniels dtd 07/48, but Billboard Ad for Gotham Dist 16 April 1949 p. 53 courtesy
Dan Kochakian. "Do Not Pass Me By" Advertised by Pearls Record
Bar, Norfolk Journal and Guide on November 5, 1949 and December 31, 1949. Also
appears on an undated listing of Gotham products.
a. Black on shiny yellow. DC pressing. Confirmed 78 rpm copy.
b.
Blue on shiny yellow. DC Pressing. Confirmed 78rpm copy.
c. Black on shiny yellow."Mfd. For DC Records By Ballen Co. Phila
Pa."
Uses “DC” stamper. Confirmed 78 rpm copy.
Although
Lucy (sic) Campbell is listed on the label of both the DC and Gotham press of
Jesus Gave Me Water there is a card in the Copyright office dated 29 Aug 1950
listing Mae Gooch as the arranger and © to Claiborne-Davis Music (LoC
EU213724) Lucie Edith Campbell's self copyright for words and music listed
almost three months later on 24 November 1950. It was published by Campbell & Williams 388 South Orleans
Street, Memphis 5, Tennessee. (LoC M2199.C) “Do Not Pass Me By” a song of the
same title words and music by Charels H. Gabriel 15 Feb 1919. Published by the
Rodeheaver Co. 29 Mr 1946.)
DC 8057
Spiritual Series 6 Nov 1948
The Progressive
Four: Hartwell Mouton - Oliver Armstead -
Harmon Bethea -
Lindsay Wilson - Wilburt Griffin
There'll Be A
Great Day
8056AB DC8056 B (sic)
Farther
Along
8057B
with WILLIAM D'ALBERT Organist
Billboard Review “Religious” 6 Nov 1948 p.142.
a. Blue on yellow. Copy confirmed.
b. Blue on yellow. Billed as "THE CORINTHIAN SINGERS".
Copy confirmed.
c. Black on Yellow. Billed as "THE CORINTHIAN SINGERS" and
"Mfd. For DC Records By Ballen Co.
Phila. Pa."
Copy confirmed.
An advertisement which
ran in the December 18th, 1948 edition of The Cash Box, a weekly record and
vending machine trade magazine, mentions DC 8057 by the Corinthian Singers
as "just released and selling very big." A Billboard review, and a catalog
of Gotham products reinforces that attribution. Yet, copies of the coupling
attributed to The Progressive Four do exist and are assumed to be first
pressings as they do not bear the legend "Mfd. For DC Records By Ballen Co.
Phila, Pa." which occurs on the c. label variant. This all seems
to have been Mrs. Claiborne's attempt to mollify members of the Progressive
Four who were reportedly unhappy doing pop material. The name switch appears
to have been short lived and ended after the release of 8059, 8061, and 8062
(which are not yet confirmed). Savoy sales sheets for their reissues of
8059, 8038, and 8042 in the new 4000 series attribute all of the records to
The Progressive Four. Note the confused A-side master number assignment
which has been verified on the a., b., and c. variants.
DC 8058
Spiritual Series April 1949
The Gospel Stars
with Mae Gooch
In That
Beautiful Land
8058a PO
(No title
card in 1946-54 Copyright Catalog)
Don't Worry
About Me 8058B PO 3
(Raymond
Kennedy) ©18 Oct 1947 Renee Mae Kaufman
Daniels dtd 04/49. Billboard Ad for Gotham Distribution April 16, 1949 p. 53
courtesy
Dan Kochakian. In catalog of Gotham products.
a. Black on Yellow DC pressing confirmed Confirmed 78 rpm copy.
b. Black on Yellow. “Mfd. For DC Records By Ballen Co. Phila Pa."
Alternate copyright for “Don’t Worry About Me” ©12 May 1947, A. Thompson
(words),
Robert
L. Carleton (music) ©Addie Thompson; Lenoir City, TN.
DC 8059
Spiritual Series
October 1940
The Gospel Stars
Mae Gooch, Louis Russell, James Gooch,
Arthurine
Strothers, Leroy Waldo -Piano)
Thank God,
Amen 8059 A
(Gooch) Spiritual. Notice for sheet music 1949 M2199.G
©5 Sep 1955 Andrea Music, Philadelphia
The Gospel Stars
Mae Gooch and Leroy Waldo, Fannie Tappin-Piano
Jesus Is
Listening
8059 B
(Gooch) Spiritual. No title card in Copyright catalog.
Daniels dtd
10/49.
a. DC pressing not confirmed. Peter Gibbon lists B title as "(Get In
Union) Jesus is Listening."
b. Black on yellow. "Mfd. For DC Records By Ballen Record Co. Phila. Pa."
The September 1955 copyright for “Thank God” implies another record release
(newly recorded or the original recording re-released) at that time.
DC 8059
alt
Corinthian
Singers
I Got A Home
Rocks and The
Mountains
a.
DC 8059 copy not verified. Hayes and Laughton Gospel Records.
b. Savoy 4000 copy not verified. Hayes and Laughton Gospel Records.
DC-8059 A&B listed as being turned over to Savoy in Gotham correspondence
and
attributed to The Progressive Four in a Savoy listing for their 4000
gospel series.
DC 8060
Artist and titles unknown.
Both DC 4102 and DC 8070 have dead wax matrix numbers of 8060 A/B.
DC 8061
Corinthian
Singers
Little Old Bible
Of Mine
Listen To The
Lambs
Listed in
Gotham Distribution Catalog. Also Hayes & Laughton.
Listed in Billboard magazine of 20 November 1948 page 99 as an advance
record release and
advertised in Billboard magazine of 12/18/48 on page 40 -Alex Podlecki .
Not confirmed.
DC 8062
Corinthian
Singers
I Want To Rest
One Day
Hayes &
Laughton. Not confirmed.
DC-8062 A listed as turned over to Savoy in undated Gotham correspondence.
2 March 1950 Ballen Authorizes Lillian Claiborne to lease 8062 A&B.
DC 8063
Untraced.
DC 8064
Late 1949
The Cap-Tans
Goodnight Mother
A Side Dead Wax DC-8064-B (sic)
(Murry-Leveen-Berch)
Let's Put Our
Cards On The Table
B Side Dead Wax 1204
(Patrick-Reese-Singer)
a. Black on Yellow “Mfd. For DC Records By Ballen Co. Phila Pa.confirmed
78 rpm copy.
b. 45 rpm reproduction. Black on Yellow. Taken from Ballen Pressing of 78 rpm
single.
In a 1997
interview Harmon Bethea identified the lead voice as Sherman "Buck" Buckner.
Harmon is the second voice heard on "Goodnight Mother."
This record
has not been found listed in Billboard, but it probably dates from late 1949
or early 1950.The only known 78 pressing of this record is a Ballen
pressing. The A side has DC-8064B on the label and in the dead wax. Likewise
the B side has 1204 on the label and in the dead wax. The 1200 series was a
short lived pop series on DC. It is possible that there was a "DC" pressing
of this record, made before the Ballen pressing, with a different coupling,
but it has not been traced.
The "Berch"
credited on "Goodnight Mother" may be pianist and DJ for WMAL, Jack Berch.
The "Singer" credited on "Let's Put Our Cards on the Table" may be the Murry
Singer who was credited on DC 8054.
On 2 March 1950 Ballen authorization to lease 8064A.
Title given
was "I Want To Rest" which may be a mistake or may reflect the
original DC coupling. No copies listing "Paul Chapman and the Cap-Tans"
billing have been confirmed.
DC 8065
Untraced.
DC 8066
Untraced.
DC 8067
Untraced.
DC 8068
Untraced.
DC 8069
Mae Gooch (sic)
Go Ahead
No title card in Copyright
Catalog
Dark
Calvary No title card in Copyright
Catalog
Blues
Unlimited No. 61, April 1969, p.20 and Hays and Laughton p.482.
DC 8070
SPIRITUAL
The Gospel Stars
No Place To Lay
His Head 8070A (8060A (sic))
(Gooch) No title card in Copyright
Catalog
The Gospel Stars
featuring Mae Gooch, Lois Russell, fanny
Tappin-piano
Shady Green
Pastures 8070 B (8060B (sic))
(Gooch) No title card in Copyright
Catalog
a. Black on yellow. "Mfd. For DC Records By Ballen Record Co. Phila
Pa." Confirmed 78 rpm copy.
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